Old Navy Spot

This beat out 37 tracks. Me n Rei doodling in the studio. Those drums are one mic, loads of distortion and one take. And Rei is a first class bass player.

Another Aveeno

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For summer 2016. After much deliberation, a cover of last years track.

“The Sound of Tubes” nearly made it, and probably didn’t because I strove hard to maintain the integrity of the sound of the pre amp I used to record it. A reel to reel recorder from 1956. Yeh, not a great idea to get something past corporate, but hey, the pre amp just sounds too good. And Old Man Winter, my upright piano, sounds like a champ, too.

Check The (Fuckin) Flow – Drive, She Said

This also just found a home in Drive, She Said. My friend Alicia Angeles on the vocal mic. I did offer to do a ‘clean’ version of this, and also to give it a clean title, because, after all it is an Ashley Tisdale movie. I’ve written music for her before and she’s covered a couple of my tracks, and her fanbase are all minors. No dice, though. Well, maybe they’re going to use a bit of the track that has no cussing. If they can find two seconds that has no cussing in it, that is. Still, nice placement. Thanks Andy.

Bong – Drive, She Said (2015)

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One of my madder tracks and has two spots for a total of about 3 minutes in Drive, She Said (2015), which is also the title of a movie from 1997, so I guess they might change the name.

 

 

Glucerna

This just got another media buy.

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I will never do another WFH (work for hire/buy out) on a commercial again. Or anything else for that matter. (Negotiable). This company has made full use of that wfh contract by running this consistently for FIVE years!  In my spare time I play the stock market and I know how much these pharmas make. Shame on them. But, thanks for the AFM. And at least the music house couldn’t take half the publishing.